Intolerance - - The wanderer - -King of Kings (1. Noah's ark - - Sign of the cross - - The crusades - - Susan and God - - Song of. Bernadette - - Samson and Delilah - - Fabiola - - Quo. Vadis - - David and Bathsheba - - Miracle of Our Lady of. Fatima. The robe - - The Egyptian - - Theprodigal - - Ten Commandments - - Ben Hur - - Solomon and Sheba - - Story of Ruth - - Esther and the King- - Spartacus - - King of Kings (1. Gospel according to St. De. Mille - - thepioneer of epic film directors, and the man whos tarted Hollywood's long history of Biblical- themed extravaganzas. This documentary presents a complete look at the history of this motion picturegenre through the use of extensive film trailers andthe words of directors, producers and stars who comment on how the films were made, why they were sopopular, and how they launched the careers of some of Hollywood's biggest stars. Cyr (1. 95. 2, 0. Uncle Si and the sirens (1. Presidential physical fitness (1. Toughie punches out big daddy (1. Mondo erotica (1. The Growth of the Industry: During the war years (1914-1917) before the US entered the Great War, the demand for films as escapist entertainment increased. American actor-director-writer-producer Gilbert M. Anderson, father of the movie cowboy and the. Francis Ford, Actor: The Quiet Man. Elder brother of the director John Ford and himself a screen director (and John's erstwhile mentor) until the advent of sound. Mass Communications/Journalism Early Film Compilations Pre-Code Movies. Film genre bibliographies Film genre videographies Individual filmmakers. 1913 was a particularly fruitful year for film as an art form, and is often cited one of the years in the decade which contributed to the medium the most, along with 1917. Giving an enema (1. French tickler (1. Women in revolt (1. KATHY (1. 98. 8, 0. Memories within Miss Aggie (1. Crossing the equator (1. On the beach (1. 92. VD is for everybody (1. Buried treasure (1. Bubble dance with Sally Rand (1. Edgar Hoover, Walter Bernstein, Howard Da Silva, Larry Parks, Millard Lampell, Ben Margolis, Zero Mostel, Otto Preminger, Ronald Reagan, Martin Ritt, Gale Sondergaard, Leo Townsend, William Wheeler, Gary Cooper, Robert Montgomery, Eric Johnston, Walt Disney, Robert Taylor, Jack Warner, Adolphe Menjou, Robert Stripling, Joseph Mc. Carthy. This program explores the history of film's ethnic . Special attention is paid to current depictions of Muslims onscreen. Moving through film history from early images of ethnography to the present day, this documentary examines the issues of cultural identity,interpretation and the changes of images seen since minority voices have reclaimed the screen. Director, writer, narrator, Loretta Todd. Examines the treatment of black characters throughout the history of American cinema, using examples from classic films beginning with footage by Thomas Edison in 1. Hollywood has aided and abetted the public perception of the African- American. From its earliest days, Hollywood reflected society's fear of blacks and countered with wish- fulfilling images of African- Americans as servile, ignorant, superstitious, or untrustworthy. Celebrate and honor their visionary films, including American Graffiti; the Indiana Jones series; the Star Wars series; and many more. From the early passions of the . Directed by Stephanie Bianca. Like Jefferson County, Pine Bluff is a historical offspring of Arkansas Post (Arkansas County)—the first European foothold in Arkansas, founded in 1686 by the. While celebrating their contributions to American filmmaking a haunting and telling undercurrent of racism and stereotypes weaves its way in, suggestive of the difficulties that Chinese men and women found working in Hollywood - - particularly in the early years. As a historical footnote, Dong also makes film history by rediscovering and editing in footage from what is alleged to be the first Asian- American film ever made: the 1. Butterfly - - The virility card - - Xiu Xiu - - Chinese from Asia - - Better luck tomorrow - - Progress and prospects. Griffith (1. 91. 0, 1. Juxtaposing film clips from the 2. East while at the same time reinscribing the moral, spiritual, and cultural supremacy of the Anglo- European West. This film interweaves clips from Holocaust movies and interviews with film producers and directors and survivors who work in the film industry. Directed by Daniel Anker. DVD 5. 04. 1
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